
Discreetly nestled in central London, Wigmore Hall is one of the world’s great concert venues and is entering its 125th Season this autumn.
The Hall is more than a venue, it is where audiences, artists and communities connect. In this anniversary year, we will celebrate all that Wigmore Hall has to offer with behind-the-scenes insights, artist conversations and discoveries from the archive.
With new episodes every month, we’ll talk to musicians about what makes Wigmore Hall so special and how it has come to stand at the heart of the UK’s musical landscape. We will be exploring the Hall’s storied history, established and brand-new repertoire, music's place in society, and much more.
Discreetly nestled in central London, Wigmore Hall is one of the world’s great concert venues and is entering its 125th Season this autumn.
The Hall is more than a venue, it is where audiences, artists and communities connect. In this anniversary year, we will celebrate all that Wigmore Hall has to offer with behind-the-scenes insights, artist conversations and discoveries from the archive.
With new episodes every month, we’ll talk to musicians about what makes Wigmore Hall so special and how it has come to stand at the heart of the UK’s musical landscape. We will be exploring the Hall’s storied history, established and brand-new repertoire, music's place in society, and much more.
Episodes

Wednesday Nov 27, 2019
Christian Blackshaw on Mozart Revisited
Wednesday Nov 27, 2019
Wednesday Nov 27, 2019
Over the course of four years (excluding 2021) British pianist Christian Blackshaw will be performing the complete cycle of Mozart’s piano sonatas on the composer’s birthday, 27 January. In conversation with music critic and author Jessica Duchen, join Christian to explore the sonatas in this Wigmore Hall podcast.
The pair talk about what makes the cycle of piano sonatas special, how Christian has developed his programmes, and how much he feels the importance of being able to communicate Mozart’s spirit in the music (period instrument or not). We fantasise about how Mozart’s life and musical relationships might have been had the composer lived to 70 years old or more, and the musical reflections of tragedy following his mother’s death in Paris.

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